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All My Relations Akina-ndenwa-makanak Linus Woods, curated by Jaimie Isaac

Linus Woods

10-30th  August   |   launch: 12th August, 7 – 11pm    |   Raffle – A Linus Woods piece, 10pm. Proceeds to the Helen Betty Osborne Foundation.

The artwork in this show connects Indigenous Peoples together with mixed media paintings in an installation symbolic of a family tree. The exhibition focuses on community and family, two cornerstones of traditional Indigenous values.

The show is reflective of artist Linus Woods’ connection to his Dakota/Ojibway roots and affectionate interest in North American Indigenous Peoples. All My Relations transcends the cultural similarities and differences among the Indigenous Peoples represented, revealing a historical connection to spirituality, kinship, and common colonial experience.

Elisabeth Belliveau and Jessica MacCormack

Natural disasters, pets and other stories

Saturday 21st August – Friday 1st October,  2010

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images:(left) Elisabeth Belliveau, still from Margaret’s Mountain and (right) Jessica MacCormack, still from Nothing Ever Happens

Launch: 8pm, Friday 20th August 2010

Artists’ Talk: 8.30pm, Friday 20th August 2010

This exhibition features new animations and drawings by Jessica MacCormack and Elisabeth Belliveau, bringing together the artists’ individual interdisciplinary practices, converging on the use of stop-motion, to explore fragmented narratives, psychic spaces and surreal animal imagery. Themes of home, language, the body and landscape are explored through animated drawing, cut-outs and collage.

MacCormack completed her MFA through the Public Art and New Artistic Strategies program at the Bauhaus University (Weimar, Germany) and is currently an Assistant Professor at Concordia University. jessicamaccormackrmack.tumblr.com/

Belliveau completed her BFA at the Alberta College of Art and Design and her MFA at Concordia University. More info, work and animations can be viewed at www.elisabethbelliveau.com. Her new book, don’t get lonely don’t get lost, will be for sale throughout the exhibition.

**french**

(Catastrophes naturelles, animaux de compagnie et d’autres histoires)

Une exposition de Elisabeth Belliveau et Jessica MacCormack

Vernissage

20 h, vendredi le 20 août 2010  |   gratuit

Causerie d’artiste

20 h 30, vendredi le 20 août 2010  |  gratuit

Exposition

Le samedi 21 août au 1 octobre 2010  |   midi à 17 h   |   gratuit

Samedi 21 août – vendredi 1 octobre 2010   |   12 à 17 h   |   gratuit

Cette exposition met en valeur de nouvelles animations et de nouveaux dessins de Jessica MacCormack et Elisabeth Belliveau qui réunissent les pratiques individuelles interdisciplinaires des artistes, en se concentrant sur l’usage de l’animation image par image afin d’explorer des narrations fragmentées, des espaces psychiques et l’imagerie animale surréelle. Les thèmes du foyer, du langage, du corps et du paysage sont explorés à travers des dessins animés, des découpages et des collages.

MacCormack est titulaire d’un diplôme du Public Art and New Artistic Strategies Program à la Bauhaus University (Weimar en Allemagne), où elle a obtenu sa maîtrise en beaux-arts; présentement elle est professeure assistante à l’Université Concordia.

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Belliveau est titulaire d’un diplôme du Alberta College of Art and Design, où elle a obtenu son baccalauréat ès beaux-arts, ainsi que de l’Université Concordia, où elle a obtenu sa maîtrise en beaux-arts. Consulter www.elisabethbelliveau.com pour plus d’information et pour voir davantage de ses œuvres et de ses animations. Son nouveau livre, don’t get lonely don’t get lost, sera en vente lors de l’exposition.

Translation/Traduction : Simone Hébert Allard

aceartinc. & the artists gratefully thank the generous support of associate members & donors, our volunteers, the Winnipeg Arts Council, The Manitoba Arts Council, the Canada Council for the Arts, WH and SE Loewen Foundation, The Family of Wendy Wersh, The Sign Source, Friesens Corporation , Design Type Ltd.. Half Pints Brewing Co., M.A.W.A., The HI Downtowner.

Kayle Brandon- International Artist Residency

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image credit: irational.org

Spike Island/aceartinc. International Artist Residency
Kayle Brandon 21 June – 21 July

talk: Finding space Monday, July 26 at 7pm


This artist talk will focus on located and site specific works, which seek to embed the maker and practice into a place. The presentation will include the artists research and development carried out during the Aceartinc residency.

ace has partnered with Bristol’s contemporary art gallery, Spike Island, to create this artist residency. For the past month Kayle has been working in ace’s smaller Project Room.

Kayle Brandon is a  inter-disciplinary Artist/researcher, whose work is sited within the public, social realm. She predominantly works in collaborative and collective fields; a working method which informs much of her ethos around the making of art.

Brandon works in a variety of media; mapping and making guides out of explorations into territory and social, political, structures. Making and distributing alternative/wild/feral produce and creating experimental social
events.

Her main areas of interest are in the relationships between the natural and urban worlds and Human/Non-human relations. She investigates this field via physical intelligence, provocative intervention, observation, self-guided exploration and collective experience.

http://www.irational.org/kayle/

On The Road- CHANGES on closing celebration…


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Wrap Up Party: Old Market Square/ Art Space Atrium
When: Saturday 31 July 2010,   from    3PM – 11PM

Structure Set-up: 10AM – 1PM
Art Workshops: 3-6PM
Film Screening: 9:30PM


Please come and help us celebrate the completion of a successful project organized by five artist run centre’s in Winnipeg. The Airstream trailer will be parked outside of the Art Space building, and Lancelot Coar along with some fantastic volunteers will erect the structure in Old Market Square.

The Closing Party will include performances by the abzurbs, films from the Video Pool Vault, art workshops and much more…
Refreshments will be served

On The Road is generously funded by Winnipeg Arts Council’s Audience Development Grant as well as the Visual Arts Assistance Program through Manitoba Culture, Heritage, and Tourism.


On The Road
1 – 31 July, 2010  (10AM – 10PM)

Communities in Winnipeg and Manitoba
A ROVING ART PROJECT COMING TO A COMMUNITY NEAR YOU!

On the Road is the brainchild of five of Winnipeg’s Artist-Run Centres: Platform: centre for photographic + digital arts, aceartinc., Video Pool Media Arts Centre, La Maison Des Artistes Visuels Francophones, and Urban Shaman: Contemporary Aboriginal Art.

This project is dedicated to the dissemination of contemporary art by cultural producers to diverse communities in Winnipeg and Manitoba in July of 2010. We wish to promote equal access to art and the organizations from which it is disseminated. Thus we are committed to bringing contemporary art to people who have limited access to it due to geographical barriers.

A 1976 Air Stream Trailer will be the shining, silver heart of On The Road, a rip-roaring contemporary art project led by architect Lancelot Coar. Branching from the trailer will be a huge, spidery, fiberglass and fabric frame that will, with community participation, morph into beautiful and strange structures to house a temporary art space. Within the structure we will showcase videos by Manitoban artists, lead art making workshops, and performances by The Abzurbs, a group of mayhem music makers. Each community is warmly invited to help raise the structure and make it their own for the duration of On The Road’s stay.

July 1:  LAUNCH PARTY @ La Maisons des artistes visuels (219 Provencher Blvd), Winnipeg

July 2: Urban Barn @ Kenaston Blvd + McGillivray, Winnipeg

July 16 + 17: St. Claude, Manitoba

July 20, 21 + 22: Peguis, Manitoba July 24 + 25: Victoria Beach, Manitoba

July 30: Central Park, Winnipeg

July 31: Market Square

For further information please contact Natasha Peterson, Project Coordinator, at ontheroad.coordinator@gmail.com or 204.942.8183

Follow the project online: http://ontheroadenroute.blogspot.com/

On The Road is generously funded by Winnipeg Arts Council’s Audience Development Grant as well as the Visual Arts Assistance Program through Manitoba Culture, Heritage, and Tourism.


On The Road (En route)

Une exposition ambulante au Manitoba au cours de l’été 2010

On The road/En route invite les artistes contemporains de venir transformer une caravane ‘airstream’ en un espace d’exposition pour une période de un à quatre mois l’été prochain. La proposition sélectionnée prendra en considération les relations communautaires, les réalités rurales, la culture des artistes autogérés et les spécificités d’une galerie ambulante ayant une emphase sur l’excellence artistique.

Au sujet de On The Road/En route

Ce projet est dédié à la diffusion de l’art contemporain de diverses communautés de Winnipeg au Manitoba par l’entremise des producteurs culturels. Nous espérons pouvoir promouvoir et permettre l’accès à l’art ainsi qu’aux organismes qui le diffusent. Nous sommes alors engagés à livrer l’art contemporain aux gens qui y ont un accès limité dû à des barrières géographiques. Notre point de vue est que l’art renforcit les communautés par l’entremise de l’inspiration, de la provocation et de la conversation. Les projets qui démontrent l’excellence artistique ainsi que des connaissances et un intérêt par rapport : aux Premières nations, aux francophones, au multimédia, à la photographie et aux communautés LGBT auront priorité.

En route est l’idée originale de cinq centres gérés par des artistes de Winnipeg : Platform: centre for photographic + digital arts, aceartinc., Video Pool, La Maison des artistes et Urban Shaman Gallery.

Pour plus d’information, veuillez s.v.p. contacter Natasha Peterson à cette adresse : ontheroad.coordinator@gmail.com


PDF of this event

ali sparror

la_commune_film_still_by_CORINNA PALTRINIERI

La Commune (Paris 1871)

Free film screening event / discussion with food

(part of 16 Days of Non Organised Art) Sunday 18th July 2010   |   1pm

French Translation follows…


In the week that marks Bastille Day, join us on Sunday 18th July for one day of food and discussion based around a screening of the 2002 Peter Watkins film ‘La Commune (Paris 1871)’.
This is a cinematic participatory event!


Beginning at 1pm, La Commune will be screened in two parts with a break around 4pm to eat food together and share thoughts and ideas. La Commune is a meticulously researched opening up of the events surrounding the Paris uprising of 1871. With a cast of non-professional actors presenting themselves to us in and out of character, and using the device of a television news crew to guide us through the unfolding narrative, ‘La Commune’ is a meditation on the presentation and reproduction of histories, of ‘events’. At once arresting for its engagement of audience and actors, for its interrogation of process and mediation, La Commune is radical social cinema.


Watkins cinema provokes a serious questioning of society, be it the breakdown of humanity in The War Game (1965), its pop lunacy in Privelage (1966), its clinging to democratic legalities in Punishment Park (1970), or its overturning in La Commune. Bring food to share with a mind open to present day sites of insurrection and to the issues the film raises.
La Commune (Paris, 1871)
Peter Watkins. 2000. 345 mins.
http://www.participatoryspectacle.info/events/
Thanks to Rebond pour la Commune

film still above: photographer CORINNA PALTRINIER

about the artist:
ali sparror visits us from Bristol’s Cube Microplex. His interests mould performance, group dialogue and detours, writing and the production of various media. At aceartinc. ali will be pursuing previous curatorial interests with film screenings, readings and other guerilla events- keep an eye on our website and facebook page.

la_commune_film_still_by_CORINNA PALTRINIERI

La Commune (Paris 1871)

Événement de diffusion de film gratuit/discussion avec bouffe

Dimanche le 18 juillet 2010 13 h

Pendant la semaine qui marque le Jour de la Bastille, venez vous joindre à nous le 18 juillet pour une journée de bouffe et de discussion basée sur la diffusion de ‘La Commune’ (Paris 1871), un film fait en 2000 par Peter Watkins.

Il s’agit d’un événement cinématographique participatif!

Dès 13 h, ‘La Commune’ sera diffusé en deux parties avec une pause aux alentours de 16 h pour nous permettre de manger ensemble et de partager nos pensées et nos idées.

La Commune est le résultat d’une recherche méticuleuse révélant les événements qui se sont passés à Paris lors du soulèvement de 1871 – quand les gens de Paris ont pris le pouvoir et mis en place leur propre gouvernement radical.

Une distribution de comédiens non professionnels se présentent à nous soit en, soit hors caractère et, à l’aide d’une équipe de télévision, nous guident à travers le déroulement du narratif de ‘La Commune’, qui est une méditation sur la présentation et la reproduction des histoires, ou des ‘événements’. Tout en étant saisissant par son engagement avec la foule et les comédiens, et son questionnement du procéssus et de la médiation, ‘La Commune’ est du cinéma radical. Le cinéma Watkins provoque un questionnement sérieux de la société, que ce soit la rupture de l’humanité dans The War Game (1965), la folie pop dans Privelage (1966), l’attachement aux légalités démocratiques dans Punishment Park (1970) ou le soulèvement dans La Commune (2000).

Un pionnier du ‘docudrame’, ses films donnent l’impression d’être une collision entre le documentaire dramatique et la science fiction, et révélent une méfiance par rapport aux formes traditionnelles de moyens narratifs et de formats médiatiques.

Apportez de la bouffe pour partager et adoptez un esprit ouvert en ce qui concerne les sites d’insurrection d’aujourd’hui ainsi que les questions que le film relève.

‘La Commune (Paris, 1871)’Peter Watkins. 2000. 345 min. En français avec sous-titres anglais. http://www.participatoryspectacle.info/events/Merci à Rebond pour La Commune


16 Days of Non Organised Art

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aceartinc. is up for anything for 16 days in July.

Artists and non-artists will experiment / do same-old, same-old/reinvent the space/go nuts/be subtle/do something interesting.

This event is inspired by the terrific fun we had at aceartinc. with the übersuper events that took place on Alexandre David’s installation ‘Over Here’ last July and by Eryn Foster’s ‘35 Days Of Non Organised Art’ that she programmed at Eyelevel Gallery in May last year. The free, off the cuff happenings these two things engendered spurred us onto providing circumstances for more of this good stuff to occur.

(please note these days and times may change, so check regularly our web and facebook page)…

key: red- day show run 12pm – 4pm       | blue- evening show run 7pm – 9pm


Perry Rath – Soul Cakes (Throughout the 16 days)

July 16 ***no day show | Andew Kear- Totally L7

July 17 Shimby- Non traditional Coffee Ceremony | One Trunk Collective- B&W silent films w/ live performance

July 18 Ali Sparror- PART 1 film showing of Peter Watkins La Commune (Paris 1871) | PART 2 of Ali Sparror-film showing

July 19 Ingrid Gatin CANCELLED | Erika Lincoln- Magpie Project CANCELLED

July 20 Daniel Thau-Eleff | Alex Elliot & Branwyn Bundon- Travel Tips & Playtimes

July 21 ***no  show       | ***no show

July 22 Kendra Ballingall & Nicole Shimonek- Natural Causes       | Joanne Bristol- Poetry & Architecture

July 23 Freud’s Bathhouse and Diner      | Mr. gh0sty- gr8-bits

July 24 Kerri-Lynn Reeves      | Stephen Basham

July 25 ***no show        | Bond Institute- Annual General Meeting 2010

July 26 ***no show       | 7pm, artist inresidence talk: Kayle Brandon- Finding space

July 27 ***no show        | Connie Chappel- Mexico Mannequin

July 28 Glen Johnson-  Mid-life Crisis       | Fem Rev- Making + Doing

July 29 Kari Zahariuk      | Lasha Mowchun & Elise Dawson- Confetti

July 30 Coral Maloney- Participatory Preserving       | Jaime Black- The REDress Project

July 31 Joe Kalturnyk- MNP (Mass Nap Machine): or “Orgy of Sleep” | The Wpg Arcades Proj.- Where is the capital of the 21st century?

aceartinc. & the artists gratefully thank the generous support of associate members & donors, our volunteers, the Winnipeg Arts Council, The Manitoba Arts Council, the Canada Council for the Arts, WH and SE Loewen Foundation, The Family of Wendy Wersh, The Sign Source, Friesens Corporation , Design Type Ltd.. Half Pints Brewing Co., The HI Downtowner.

IT KILLS with Lisa Lipton playing aceart TUESDAY 6th JULY

http://www.myspace.com/itkillsitkillsitkills

Warm up for Folk Fest with the gorgeous sounds of the band, IT KILLS on the So I Could See You Tour.

Think haunted shipwrecks echoing with the sighs of tragically lovesick seahorses and fish determined to grow lungs.

Lisa Lipton Solomon Vromans William Robinson & sometimes Alice Hansen Aaron Sinclair Darcy Fraser are the members of this sweet smellin group.

Tuesday 6th July 7pm   |   free/by donation

IT KILLS

IT KILLS poster

Showing Up, Speaking Out

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September 3 – October 5, 2010

This project is made possible thanks to the generosity of the Winnipeg Arts

Showing Up, Speaking Out welcomes community participation on the theme of “recreation” in collaboration with visiting artist, Inge Hoonte

Winnipeg (August 29, 2010)

Showing Up, Speaking Out is a four-week project offering Winnipeggers unique opportunities to speak out on important topics such as housing, poverty, and accessibility by co-creating temporary art works in public spaces with local and visiting artists. This project is about how art can help us express ourselves while building community. It also emphasizes the legitimacy of public space as a site for conversation about about city life.

To participate, community members are invited to attend free workshops focused on brainstorming ideas and creating art to be displayed and/or performed as a group. The works will be presented in various locations across Winnipeg and aceartinc. (2nd floor, 290 McDermot Ave.) will host photos, notes and other related items left by participants about their their involvement as an installation that will transform over time.

Inge Hoonte (Netherlands/USA) is the first of five artists/artist groups involved with Showing Up, Speaking Out. She will work with participants at Art City (616 Broadway) on September 1, 2, 3, 6, and 7 from 4:00 – 8:00 p.m. On Sunday, September 5 from 1:00 – 5:00 p.m., she will work with a wider range of community members at aceartinc. Participation is free and all are welcome! Please join us!

Artist biography: Hoonte orchestrates and documents human interaction, communication, and physicality in public and private settings. Her multidisciplinary approach combines writing, performance, audio, video, and community-based projects. Hoonte has presented her work throughout the United States (i.e. the Whitney Biennial, New York City), Canada (i.e. Toronto Free Gallery), and elsewhere (i.e. Museum of Contemporary Art, Helsinki). Hoonte holds a BFA in Visual Art and Public Space from the School of the Arts Arnhem, Netherlands, and an MFA from the School of the Art Institute of Chicago.

Other participating artists will include: Tomas Jonsson (Calgary) on housing and poverty, Deborah Kelly (Australia) on diversity, Kristin Nelson (Winnipeg) on accessibility, and Stop Violence Against Aboriginal Women Action Group including collaborating artist Leah Decter (Winnipeg).

As part of First Fridays (http://www.firstfridayswinnipeg.org), Winnipeggers are welcome to drop in to Showing Up, Speaking Out at aceartinc. on September 3 between 5:00 – 9:00 p.m. to learn more about how to this project works, and how to get involved. Information is also available at http://www.showingupspeakingout.ca. Please visit often for regular updates.

This project is made possible thanks to partnerships with many local organizations: aceartinc., Art City, Institute for Women’s and Gender Studies at the University of Winnipeg, Mentoring Artists for Women’s Art, newinnipeg.net, RAW: Gallery of Architecture and Design, Social Planning Council of Winnipeg, The University of Winnipeg’s Students’ Association, Urban Shaman: Contemporary Aboriginal Art, and Video Pool Media Arts Centre.

Generous financial support for this project has been made available by the Canada Council for the Arts and the Winnipeg Arts Council.
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News releases will be issued throughout the duration of this project to share details about each element. A growing calendar of events can be found at http://www.showingupspeakingout.ca/get-involved.

Contact: Milena Placentile, Independent Curator

204.956.2408

showingupspeakingout@gmail.com

Follow us on Twitter! http://www.twitter.com/SUSOWinnipeg

« Showing up, Speaking Out »
Présenté par Milena Pacentile avec Aceartinc, cette exposition explore à quel point les artistes puissent motiver etfaciliter la participation civique en faisant le lien entre des artistes locaux, nationaux, et internationaux avec des communautés locales par le biais d’une réalisation collaborative d’oeuvres éphémères installées à travers la ville de Winnipeg. Du 24 au 26 septembre, deux artistes (un local et un de l’extérieur de la province) faciliteront la participation communautaire dans le développement et la présentations d’installations dans l’espace publique. L,ensemble du projet a lieu du 3 septembre au 5 octobre 2010.

Détails à venir!

Susan MacWilliam

F-L-A-M-M-A-R-I-O-N |   Susan MacWilliam

F-L-A-M-M-A-R-I-O-N--(2009)

2009, Video, Colour, Stereo

15th October – 12th November 2010

Launch and artist talk Friday 15th October, 8pm

In 1931 a ‘teleplasm’ spelling out the name ‘Flammarion’ appeared on the wall of a cabinet at a séance in Winnipeg. Camille Flammarion (1842–1925) was a French astronomer and psychical researcher and his name appeared at Thomas Glendenning Hamilton’s sitting of June 10th 1931.

F-L-A-M-M-A-R-I-O-N features a reconstruction of Thomas Glendenning Hamilton’s séance cabinet, the Belfast poet and writer Ciaran Carson, Atlanta based Danish American poltergeist investigator Dr. William G. Roll and Arla Marshall, Canadian granddaughter of Hamilton’s Scottish sitter Susan Marshall. Recorded in three cities across the globe (Winnipeg, Atlanta and Belfast) Carson, Roll and Marshall come together in F-L-A-M-M-A-R-I-O-N and respond to the image of the teleplasm.

In 2008 Belfast based artist Susan MacWilliam was awarded the Northern Ireland Arts Council’s Arts Council of Northern Ireland International Residency at aceartinc. During this residency she researched the Hamilton Family fonds/TG Hamilton Spirit Photograph Archive housed at the University of Manitoba. This research directly informed F-L-A-M-M-A-R-I-O-N which, along with other work, she showed the commissioned for MacWilliam’s solo exhibition at the 2009 Venice Biennale for which she was selected to where she represented Northern Ireland. aceartinc. is proud to bring MacWilliam back to Winnipeg to show this work that is so intimately tied up with our city’s supernatural heritage…

Using video, photography and installation MacWilliam has made work about materialisation mediums, table tilters, optograms, trance, dermo optical perception and x-ray vision. MacWilliam has worked extensively with historical archives, prominent parapsychologists and psychical research institutes. The use of interview and documentary processes as portraiture is explored and the work provides historical visual record and interpretation of particular cases within the history of parapsychology and psychical research.

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Please contact: programmer coordinator- hannah_g for interview arrangements with Ms MacWilliam.

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Bonefeather by Callum Paterson + Nathan Gilliss

Bonefeather

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Callum Paterson + Nathan Gilliss   |   July 2nd – August 18, 2010

in the new aceart intern programming areas Emily’s Cove & Suez Gallery


Opening Reception: Friday July 2nd, 2010, 7pm

“Callum “Kyd” Paterson and Nathan “Houston” Gilliss are super-stylie animators out to destroy the earth with their pizzazz. Their production company, Public Ritual, makes multi-media video that combines STOP-motion, punk drawings, and weird ideas with their digital prowess. Callum is a former tree-planter turned musical prodigy. Nathan moved here from Kentucky to dominate Emily Carr. Headquarters for Public Ritual is a flashy studio filled with stringed instruments and lights and cameras and drawings and a French chick sewing fashion in the corner.  BoneFeather, their debut film, has garnered tons of attention at TIFF’s children’s festival and at student festivals across the US and Canada, most likely for what Callum calls ‘the notion of awkward sexuality in the imaginary natural kingdom.’ There is something about Public Ritual that is a little bit dangerous, a little bit genius, and totally hawt. And, they gave birth to Jesus.”
Check it: www.publicritual.ca

The co-curators of this project are Emily Doucet (University of Winnipeg) and Suzanne Morrissette (Ontario College of Art and Design), both currently interning at aceartinc. With this exhibition they are exploring the use of experimental programming space outside of the traditionally used spaces of aceartinc. ‘Emily’s Cove’ (located in the front stairwell) and ‘Suez Gallery’ (located by the washrooms) are the spaces to be employed in this project. By incorporating a portion of the set and materials used in the creation of the short film ‘Bonefeather’ the curators hope to entertain new possibilities for video display and introduce the sculptural and multi-media elements involved in the production of stop-motion animation.

stills from Bonefeather by Callum Paterson and Nathan Gilliss, courtesy of artists.

Emily Rosamond

Night Shift |   Emily Rosamond   1- 30 june 2010   |   talk and party 11 June, 7pm/8pm   |   give away day June 29th 12-5pm

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french follows…


For Emily Rosamond’s first solo exhibition in Manitoba, she will work with approximately one ton of used building supplies, renovation debris, discarded furniture and household items collected around Winnipeg by the local junk removal company Declutter.ca. Showing up with only a tool kit of specially chosen connective items – including hooks, chains, fluorescent plasticine, drywall mud, paint and a sculpture, she will work the night shift from June 1-19, building on the spot and without a plan, in a manner that responds to the contingencies of the materials – their scratches, cracks and other evidence of their former lives. Each morning, the space will appear different from the day before. Reaching its final stage by June 20, the changes will slow down and stop, finally pausing, masquerading as a “final” product until the end of the month, when the materials will be carted away again by Declutter, resuming their regularly scheduled activities.

Just before the installation leaves the gallery, there will be a call to the general public, inviting all interested parties to take home a piece of the installation before it disappears.

Rosamond, whose art practice has involved activities such as drawing designs with shampoo on floors, Dremelling groups of pencils into blobby shapes, hugging packages of Neo Citran, impersonating tall grasses on video, and creating an 80% scale replica of the space of her kitchen, enters this piece with a keen interest in how performative and sculptural actions can renegotiate the spaces between architecture and furniture, commodities and trash, objects and the ephemeral sense of “character” that accrues around them.

Emily Rosamond is an emerging artist, academic and educator currently based in Montreal. www.erosamon.com

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Emily Rosamond   |   Night  Shift   |   1 au 31 juin 2010   | causerie d’artiste/le boum  19 h/ 20 h, 11th Juin

Pour sa première exposition solo au Manitoba, Emily Rosamond travaillera avec environ une tonne de matériaux de construction usagés, de débris de rénovation, de meubles et d’objets ménagers jetés au rebut et ramassés aux alentours de Winnipeg par Declutter.ca, une compagnie locale de débarras. Elle se présentera avec une boîte d’outils connectifs spécialement choisis, et travaillera de nuit du 1 au 19 juin; Emily se mettra à construire sur place, sans un plan, d’une manière qui correspond aux possibilités présentées par les matériaux : les égratignures, les craques et d’autres indices qui témoignent de leurs vies antérieures. Chaque matin, l’espace aura une apparence différente que la journée précédente. En s’approchant du stade final le 20 juin, les changements vont ralentir pour enfin s’arrêter complètement, prendront une pause pour donner l’impression d’être le produit ‘final’ jusqu’à la fin du mois, quand les matériaux seront enlevés encore une fois par Declutter afin de reprendre leurs activités régulières.
Avant que l’installation quitte la galerie, il y aura un appel au public invitant les personnes intéressées à rapporter un morceau de l’installation chez eux avant qu’elle ne disparaisse.

Emily Rosamond est une artiste émergente, une universitaire et une éducatrice basée présentement à Montréal. www.erosamon.com


******
end of Emily Rosamond’s  Night Shift
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image credit: Liz Garlicki “Night Shift” by Emily Rosamond, 2010

Give Away Day (or GAD as we lovingly named it)
Tuesday, June 29th starting noon till 5pm.

The items used in Ms. Rosamond’s installation will be given away before
disposal. First come, first items to take.

List of items you may see for the taking…

* old windows
* small school desk
* dismantled chairs, bed frames
* scrap wood (think about all those items you want to build. this is free
stuff people)
* exercise bike
* sewing machine (?? works??)
*  sleds
* toques and other clothing items
* wool

We could go on, but you won’t want to read anymore, you want to see it…so
c’mon down!!

NO HOLDS! You must take the item that day!!

RRaCe Queer Youth Art Exhibition Opening

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RRaCe Queer Youth Art Exhibition Opening
Date: Thursday, June 3
Time: 7:00 p.m. – 11:00 p.m.
Price: Free

Rainbow Resource Centre and aceartinc. have teamed up with a group of queer youth from Winnipeg to engage in an artistic and creative exploration of culture, society and self. The RRaCe participants have worked closely with each exhibiting artist at aceartinc. since August 2009 and will be exhibiting their thought-provoking work  on June 3rd as part of Winnipeg Pride. Join us for light refreshments, good beats by DJ Fleur and an opportunity to engage with the young artists themselves.

aceartinc. has been looking to raise its profile with Winnipeg queer youth in order to invest in future audiences and artists and continue to be relevant to the queer community. Working with the 2009/2010 programmed exhibitions will provide a variety of contexts in which queer youth can work with professional artists to place your identities in different cultural, social and political contexts and explore their creativity in an experimental and safe atmosphere. We want to skill them up to create their own culture and to think critically about the culture we are surrounded by.

http://www.pridewinnipeg.com/community-events.html

This project was made possible by the generous support of the Winnipeg Arts Council and the Winnipeg Foundation through the Youth Arts Initiative Collaborative Grant Program.

Mess Japan: A Solo Exhibit By Daisuke Ichiba

daisuke ichiba art show

May 4-26  | Launch- May 4, 5-7pm | Curator Talk- May 4, 6pm

Curated by Naomi Hocura and Brandon Hocura

This exhibit is presented in conjunction with PLASTIC PAPER: WINNIPEG’S FESTIVAL OF ANIMATED, ILLUSTRATED + PUPPET FILM – www.plastic-paper.org

Daisuke Ichiba’s images are violent and beautiful. His paintings describe a delicate world haunted by Japanese phantasms and grotesqueries of moral contradictions; a world where youth and sex mingle with corruption and death. The rooms into which the viewer peeks are forbidden, as if a sliding door has been drawn back on a scene reenacted from a gothic past. This first North American exhibit will feature recent paintings and photography, as well as a selection of screenprinted books from his collection.

http://tetorahidoro.xxxxxxxx.jp/

Daisuke Ichiba started painting seriously in the eighties and in 1990 self-published his first book entitled 37 Year Old Bastard. Since then, he has continued to release a book a year, and was noticed by the great manga artist Takashi Nemoto, as well as Pakito, from the outsider art gallery, Le Dernier Cri based in Marseille, France. Since 2006, Ichiba has held solo shows in Paris, Marseille, and Switzerland, and in recent years has been pursuing photography.

Plastic Paper courtesy of Big Smash! Productions

PLASTIC PAPER: WINNIPEG’S FESTIVAL OF ANIMATED, ILLUSTRATED + PUPPET FILM is an international festival that takes place May 5-8, 2010 at the Park Theatre in Winnipeg, Canada. The festival is one component of the year-round organizational activities of the Big Smash! Film Collective. PLASTIC PAPER’s programming is a mix of premieres, retrospective screenings, short films and features with special guests, workshops, multi-media presentations, installations and exhibits, artist talks, and gatherings where the artists and the audience can interact more informally.
Confirmed special guests
for PLASTIC PAPER 2010 include Oscar-nominated animator BILL PLYMPTON, who will be presenting an animation master class, and puppeteer and curator HEATHER HENSON (of the illustrious Henson clan), who will be premiering a new “best of” selection of her ongoing HANDMADE PUPPET DREAMS series of independent puppet films.

Toronto-based curator NAOMI HOCURA will be appearing in person to present SECONDS UNDER THE SUN, an amazing program of contemporary Japanese animated short films on opening night, and local progressive psych band MAHOGANY FROG will be closing the festival with the premiere of a new live score for legendary animator Bruce Bickford’s work-in-progress, CAS’L’.
ADDITIONAL PREMIERES include the Oscar-nominated SECRET OF KELLS, Mamoru Hosoda’s SUMMER WARS, Priit Parn’s LIFE WITHOUT GABRIELLA FERRI and Barry Doupe’s PONYTAIL, as well as the return of the SATURDAY MORNING ALL-YOU-CAN-EAT CEREAL CARTOON PARTY!

info on Plastic Paper Festival visit: www.plastic-paper.org
PLASTIC PAPER is generously sponsored by the City of Winnipeg through the Winnipeg Arts Council.

Sleep… in the gallery

sleep-flyer_ccole

Sleep…
in the gallery

presented by ccole productions in conjunction with send + receive.

Thursday, 13 May   |   8 pm   |   $7

bring cozy things-pillows, quilts, comforters…
On Thursday May 13 come down to aceartinc. for an evening of dreamy and hypnotic sounds and visuals. This evening won’t bore you to sleep but will lull you to relax, kick-back and possibly drift off…

Featuring Vancouver drone maker Empty Love, Winnipeg sound maker Chris Bryan and a dreamy film program of shorts featuring works by local filmmakers Leslie Supnet, Clint Enns, Andrew Milne + Cam Johnson and Kelsey Braun, and Montreal filmmaker Sabrina Ratté.

Doors are at 8:00 p.m. Films to begin around 8:30 to be followed by the live sound performances.

We urge you to bring open ears and a pillow, sleeping bag or whatever makes you cozy… warm sounds, dreamy visuals and dream machine will be provided…

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bios:

EMPTY LOVE has been creating deep, organ rattling, analog drones since late 2007 in vancouver, in both the studio and live. several studio sessions, as well as some live performances have been documented on releases through vancouver based labels thankless, diadem discos, panospria, and csaf, as well as some self released items here and there. from the onset, empty love live performances have included a large visual element, often times utilizing home made props (such as dream machines, light wheels, and various other oddities), and more recently using projected visuals. several live and studio collaborations have happened with other vancouver sound artists, most of which have been released as part of the ongoing “empty love +” series.
http://www.last.fm/music/Empty+Love

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CHRIS BRYAN has been working with audio as a medium since 1996 and started performing and recording as 3×3is9 when he switched over to a primarily digital approach in 1999. Recently a decision was made to abandon the 3×3is9 moniker as he felt that the “pop” sensibility of the name no longer fit his work. Chris’ approach to sound remains the same; with live performance typically being a semi-improvised computer based set exploring the textures and contrasts within sound. Chris has performed as a solo artist, and collaboratively with artists like Jamie Drouin (Van) and Bernhard Günter (DE).
http://www.myspace.com/91909710
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LESLIE SUPNET is a Canadian artist from Winnipeg, MB. Her animated work and drawings reveal inner collective emotion, while remaining deeply connected to her own experience. Her animations have screened at various festivals, such as the Images Festival, International Film Festival Rotterdam, Signal & Noise, Image Forum Festival in Japan, LA Film Forum and Antimatter.
http://www.sundaestories.com/
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CLINT ENNS is a video artist and filmmaker from Winnipeg, Manitoba, whose work
primarily deals with moving images created with broken and/or outdated technologies. His work has shown both nationally and internationally at festivals, alternative spaces and mircocinemas.

He has recently completed a master’s degree in mathematics at the university of manitoba, and his interests include model theory of rings and modules, structuralist film, destructuralist video, and mathematics in art.
http://vimeo.com/clintenns
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MILNE/JOHNSON have been working together for the last two years. These collaborations have culminated in live mixing with 16mm projectors, contemporary dance, and performance art. Andrew Milne is a Winnipeg-based Fusion Artist with a practice in The Exchange District. His active artistic disciplines include Film, Video, Performance, Sculpture, Photography. Andrew began his career in Vancouver, moving to Winnipeg in 2006. Through processes of embodiment the work he creates is an attempt to disquiet a viewer’s current ideas of future, possibility and self. Cameron Johnson began making music through percussion. Since 2004 he has been exploring the manipulation sound and source in both solo and collaborative projects. Working exclusively with audio hardware as nontraditional instrumentation his work is attempting to welcome people into an space that they would normally find hostile.
http://vimeo.com/andrewmilne
http://www.myspace.com/thiscameraisred

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KELSEY BRAUN is currently focusing his artistic practice in sound and video to highlight the aural and visual parts of the world that remain on the periphery, using them to construct another kind of reality from within which we can either escape, or observe our own from. His recurring themes of land and proximity seek an awareness of their relationship. Such environments are explored through a contrasting and complimentary combination of media to define, connect, and re-contextualize these phenomenon. These ideas manifest as sound performance and recording, single-channel video, and installation.

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SABRINA RATTE is currently enrolled in the Master in Film Production of Concordia University in Montreal. Some of her fictions and experimental films played in Festivals such as Les Rendez-vous du cinéma Québécois, Rencontres Internationales du Documentaire de Montréal, and Festival International du Court Métrage à Clermont-Ferrand. She is now experimenting a lot with video imageries, eerie atmospheres and abstractions. She is also currently working on projects involving live video performances.
http://vimeo.com/user3219345


for more info about send + receive please visit: http://www.sendandreceive.org/

COMING OUT- U of M School of Art Thesis Students

invitation1

May 15th – May 28th, 2010

launch party will be May 14, 7:30 – 11:30 pm

Selected graduating and thesis students of the University of Manitoba’s School of Art are displaying their best at Ace Art, in an exhibition appropriately titled “Coming Out”. This show will feature work by students from the painting, drawing and sculpture departments.

Participating artists are: Christabel Lindner, Willy Carleton, Joan Larson, Emilie St Hilaire, Kara Passey, Stephanie Graham, Chantel Mierau, Cullen Bingemen, Joshua Roach, Laura Magnusson, Sherrie Rennie, Ryan Klatt and Echo Ying Xie.

This group of artists has obtained a 3 or 4 year Bachelor’s degree in Fine Arts (studio). Their final year represents a culmination of their art studies; this exhibition is displaying the top work of all 13 artists. All participants are un-influenced from each other, despite working in such close quarters, creating a very diverse collection of art. From the delicate knitted work of Chantel Mierau, to the heavy industrial work of Sherrie Rennie, this exhibition shows the differences between the artists, their materials, and their content. Many graduates from the School of Art pursue Master’s degrees or work independently as emerging artists in Winnipeg and abroad.

The opening night launch party will be May 14, 7:30 – 11:30 pm and guests are invited to take part in the debutante theme with the option of dressing in formal attire.

nuna(now) festival: Inland/Outland – Iceland

SATURDAY, 15 MAY
Inland/Outland – Iceland

Svavar Jónatansson and Daníel Ágúst Haraldsson
aceartinc.
2−290 McDermot Avenue, Winnipeg
8pm, Free Admission

If you can’t get your hands on one of those Iceland Express direct-to-Reykjavik flights but you’ve always wanted to go, Svavar Jónatansson’s epic photographic examination of Iceland’s wild periphery, an intricately woven immersive multiple projection presentation is the antidote.   Accompanied by an evocative soundtrack composed by acclaimed GusGus lead singer Daníel Ágúst Haraldsson. Both artists will be in attendance.


Svavar

Svavar Jónatansson started photography in his teens. Shooting this and that during his early years, he moved towards a focus on people, photographing intimate personal relationships and documentary-style photography of musicians and artist, as well as street photography during travels in Europe, Israel and USA. He has written articles on his travels for the Icelandic newspaper Morgunblaðið, as well as for a series of travel blogs.

Svavar’s work with renowned nature photographer James Balog has influenced his ideas and approach to photography. the present culmination of all that is him, has past, present and possible future, comes together in his latest work, Inland/Outland-Iceland. Svavar studies sociology and anthropology at the University of Iceland, and the Núna(now) presentation of Inland/Outland-Iceland will represent his first ever public exhibition.

Inland/Outland-Iceland will be performed at aceartinc. on Saturday, May 15. A Q&A with the artist will follow.

http://inlandoutland.squarespace.com/

—–

DanielAgust

Daníel Ágúst Haraldsson is an Iceland solo artist and lead singer of the bands GusGus, Nýdönsk and Esja. Daníel Ágúst has been part of the local and international music scene for twenty years; in 1989 he participated in the Eurovision Song Contest for Iceland with the song Það sem enginn sér. He finished in 22nd place, scoring no points.

Daníel took a break from GusGus in the year 2000, and has acted on stage and screen and composed music for film, dance and television. His first solo album, Swallowed a Star, was released in 2005. He rejoined GusGus with the releases of Forever in 2007 and 24/7 in 2009, touring extensively in Europe. He is currently working on his second solo album.

Daníel will be performing solo on Thursday May 13th at Plug In ICA. He’ll also perform his original score to Svavar Jónatansson’s Inland/Outland-Iceland at aceartinc. on Saturday, May 15.

artist’s website: http://www.myspace.com/danielagust

for a full schedual of the festival please visit: http://www.nunanow.com/

World Pinhole Photography Day 2010- ace and Platform participant’s photos

Here are some of the photographs from the pinhole photography workshop participants…

World Pinhole Photography Day 25th April, 2010- camera obscuras

_MG_5196e WEB

image: camera obscura-inside foyer at aceartinc. photo credit: Scott Stephens

French follows in “more”…

Camera Obscuras around the Exchange…Sunday April 25th
Thanks to the generous support of the Manitoba Lotteries, aceartinc. has commissioned local artists, Sarah Anne Johnson & Andrew Milne, to create a camera obscura in ace and other locations around the city which will be free for pleasure seekers to visit in the run up to World Pinhole Photography Day 2010. And as a special workshop, Sarah and Andrew will show the ArtCity youth how to build a camera obscura in their centre!

A camera obscura (from the Latin for “dark room” or “darkened chamber”) projects an image from the outside of a room onto a flat surface inside via a carefully positioned hole. The external scene is reproduced, upside-down, but with color and perspective eerily preserved.

Standing inside a camera obscura is effectively like standing in a large pinhole camera. It’ll give you a unique understanding of how pinhole photography works. But as importantly, it is an enchanting experience, one which imparts a sense of the mystery involved in art-making.

Images from partner locations

MAWA
611 Main Street, R3B 1E1  |   204 949 9490   |   www.mawa.ca

Mawa01webMawa02web

photo credit: Andrew Milne

La Maison Des Artistes Visuels Francophone
219 Provencher Boulevard, R2H 0G4   |   204 237 5964   |   www.maisondesartistes.mb.ca

Maison02webMaison04web

photo credit: Andrew Milne

Plug In ICA
286 McDermot Avenue, R3B 0T2   |   204 942 1043   |   www.plugin.org

plugin_webPlugin03web

photo credit: Andrew Milne

ArtCity
616 Broadway, R3C 0W8   |   204 775 9856   |   www.artcityinc.com

ArtCity00web

ArtCity01web

photo credit: Andrew Milne

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All venues open SUNDAY 25th April 2010, World Pinhole Photography Day. Please contact individual venues for access to the camera obscuras.

documentation of performances on April 25th…

Dance performances in the camera obscuras
Local dancer, Ming Hon, is creating  a dance that will be performed within some of the camera obscuras. You are invited to watch the eruptions and flutterings that take place when the outdoors goes indoors.
Outside Plug In ICA at 2pm

Ming Hon is an independent dance artist and choreographer. Ming’s main artistic intent is to connect her inherent natural movement vocabulary of moving in an off-kilter and unsettled way with her interest in surreal conceptual narratives and caricatures.

photo credit: Liz Garlicki, Ming Hon “untitled”, 2010

IMG_1515webIMG_1530web

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4×5ft Land Camera Project
Andrew Milne is constructing a 4 foot by 5 foot land camera with support from the Winnipeg Arts Council. The huge camera will be used to capture an image of the aceartinc. building facade from the parking lot at Princess and McDermot on the afternoon of the 25th April. The resulting image will be on display at Platform from the 27th April until the 4th May.

photo credit: Andrew Milne

Big-Camera-02webBig-Camera-03web

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Liz Garlicki and Lyndsay Ladobruk
Liz Garlicki is a Winnipeg artist who explores gentrification and advertising culture based on the milieu surrounding her.

Miss Lyndsay Ladobruk is a Winnipeg performance artist. Here esthetic of humor mixed with serious messages is something that she uses to draw in and seduces an audience and then leave them examiningtheir own life.

Outside aceartinc. at 2:30pm. Other obscura locations depending on our mood we’ll perform for you.

photo credit (left): Liz Garlicki. Image from left to right: jaymez, Miss Metro & Loula, David Leckie, Lyndsay Ladobruk “looking for trouble”,  intervention performance, 2010

photo credit (right) Jude Thomas. image: Liz Garlicki “Ain’t No Tree High Enough”, performance  2010

IMG_1438web_1web

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Stories
hannah_g will tell stories in another of the camera obscuras. Outside aceartinc. at 1:30pm

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An Open Call for Winnipeg-based Artists: Showing Up, Speaking Out

An Open Call for Winnipeg-based Artists
Showing Up, Speaking Out

Independent curator, Milena Placentile, invites submissions from Winnipeg-based artists to participate in a community arts project taking place from September 3 – October 5 at aceartinc.

Showing Up, Speaking Out seeks to explore the extent to which artists can motivate and facilitate civic participation by connecting local, national, and international artists with local communities through the collaborative production of ephemeral artworks deployed in public spaces throughout Winnipeg.

One goal of this project is to enhance relationships between artists and diverse communities through the formation of a socially resonant context that will highlight the creative, critical work of artists while providing unique opportunities for community members to collaborate in manners well poised to increase confidence in recapturing the public sphere as a place for thoughtful idea exchange.

The presentation site for this project, aceartinc., will serve as a staging ground where people will collaborate to determine projects, plan the delivery of their interventions, and make props. The venue will simultaneously be a site for exhibiting ephemera related to each action (i.e. used props, photographs, digital video, messages to other participants). It will also be a destination for discussing the potential impact of each action and reflecting on what participants might have gained from their involvement.

All activities will be supported by a blog/online discussion forum (http://showingupspeakingout.blogspot.com/) and a downloadable/print-on-demand publication including critical responses by local writers.

The artists confirmed at this time include:
***** Inge Hoonte (Netherlands/Brooklyn, USA) will work with participants to address the issue of recreation in public space
***** Deborah Kelly (Sydney, Australia) will work with community members to respond to issues pertaining to “living together” (i.e. sexual, racial, and gender diversity)
***** Tomas Jonsson (Calgary) will work with participants to address the issue of social housing/homelessness

Showing Up, Speaking Out seeks the participation of one or two additional artists to propose a theme around which she/he will develop an intervention in collaboration with other members of the community.

Submission Requirements:
In addition to the mandatory requirement that applicants be based in Winnipeg, each artist is requested to submit the following information via email to showingupspeakingout@gmail.com:

***** Artist CV including current contact information (mailing address, telephone number, and e-mail address) (3 pages maximum)
***** A one page statement expressing why she/he would like to participate in this project and what experience she/he has working with others in a collaborative fashion. Please remember that this opportunity is open to artists at any stage of their career – emerging, mid-career and established.
***** A one page statement about the theme she/he would like to explore in collaboration with community members. Examples include: policing, water stewardship, public transit, parking lots, bicycle lanes, food security, waste management, government accountability, etc.
***** Support material in the form of 10 digital images of past work — .jpg preferred; no greater than 72 dpi or a resolution of 1024 X 768 pixels. Up to two videos may also be submitted as support material and should be available for viewing online (i.e. youtube, vimeo, etc). Please remember to provide a descriptive list of all images and video including title, date, and year created, as well as any other brief details relevant to understanding context.

Each participating artist will be paid a fee in accordance with the CARFAC rate equivalent to a solo exhibition to cover activity spanning approximately 10 days over the course of the exhibition period (September 3 – October 5). The dates of participation are flexible and will be agreed upon in advance of the project launch. Each participating artist will also have access to a budget of approximately $400 for production materials or equipment rental as necessary.

Please direct enquiries and submissions to: showingupspeakingout@gmail.com

Please note that all submissions must be received by Monday, July 5, 2010 at 5:00 p.m. In order to ensure fairness, late submissions can not be accepted. Submissions will be selected through a jury including constituents from the various groups described below.

This project is made possible thanks to the generosity of the Winnipeg Arts Council and the Canada Council for the Arts as well as the energetic and enthusiastic partnership of: aceartinc., Art City, Mentoring Artists for Women’s Art, the Institute for Women’s and Gender Studies at the University of Winnipeg, Urban Shaman Gallery, and Video Pool Media Arts Centre, among others to be announced.

This project is included as part of Culture Days Manitoba (September 24 – 26, 2010).

Ciarán Ó Dochartaigh

Ciarán Ó Dochartaigh
aceartinc. Northern Ireland Arts Council international artist in residence

CÓD-
artist talk: Friday 26th March, 7pm   |   free
Sunday 28th, March at 3 pm performance at the Forks (starting at aceart and portaging to the Forks)

Ciarán Ó Dochartaigh makes Site Specific artwork, varying from an exploration of self-discovered sites of relatively unknown cultural significance, to the re-evaluation or altering of socially, politically engaging sites.  A key theme is Local gone global therefore investigation tools shift from micro to macro.

He is  interested in highlighting National origins and Cultural displacement – represented through a skewd botany and natural history, from the introduction of  foreign or adoptive species to the hybridridization of the native.

Pieces are presented as a mixture of carefully staged documentation and relocation installations in varied rural / Urban environments to making artificial staged, set environments.

The video / photographic work is manipulated for presentation, disguised through positioning of the subject obscuring or highlighting key details of the landscape and the subject within the location, becoming primed and loaded or neutralized.

He will be discussing his practice and current project- the recreation of a canoe he built in Northern Ireland, the newspaper mold for which he brought over on the plane. On Saturday 27th March at 3 pm , he will take the canoe to the Forks along with accompanying Shamanic artefacts and perform a ritual for its continuing journey. You are warmly invited to come along and join him.


artist web site: http://www.ciaranodochartaigh.org/

Pinhole Photography Workshop

World Pinhole Photography Day   |   25th April 2010
Pinhole Photography Workshop for members, April 11 & 18

pinhole3-fixed

image by participant Michelle Slota

shot from a Christmas Tea tin 1 min 30 second exposure

April 11th at aceartinc.-  2nd flr. 290 McDermot Ave.  time: 12-5pm

April 18th at Platform Centre for Photographic  + Digital  Arts – 121-100 Arthur St.

what to bring:
*at least three containers to make into pinhole cameras. this could be a shoe box, pringles container, tin cookie box, tin coffee container. basically think of a box that has very little light going into it and that can be sealed. this is less work when you tape the edges etc.

*scissors (you will be cutting paper, duct tape and maybe some tin. so don’t bring your special sewing kind. hee hee)

*an exacto knife (not necessary but if you want to bring it will go faster). one that has a bigger blade not for delicate work.

*needles with small piointy tips (this is also optional)

*your payment of $60.00 if you have not paid.

To celebrate the international extravaganza of DIY, photography aceartinc. and PLATFORM: centre for photographic + digital art are joining forces and pooling resources to impart the skill of experimental pinhole photography to a few of our respective members.

Last year’s workshop was a roaring success- totally oversubscribed and gorgeously over-achieving. Book your place on this year’s workshop and learn the gentle craft of pinhole photography and get your pictures uploaded onto the WPPD website!

This workshop will take place over two Sundays with local artist, Sarah Crawley.

Sunday 11th to make the camera  and Sunday 18th April to develop the photos.

Participants will learn how to make a camera, take pictures with it, develop their images and finally upload them onto ace’s website as well as the official W.P.P.D. website, and exhibit the results on PLATFORM’s members wall P121.

Participants need to bring scissors, masking tape, a smock and 3 to 6 containers such as shoeboxes, Pringle cylinders, biscuit tins, film canisters etc. (round containers are preferable) but all other supplies (photo paper, film processing, paint, etc and all tuition is included in the subsidised $60 fee- a deal if ever a Winnipegger saw one! If you are interested but broke, get in touch with either ace or Platform.

There are very limited places and these will be awarded on a first-come, first-served basis, so hurry!

gallery@aceart.org   |   outreach@platformgallery.org

Pinhole Artist Collective-through the eye of a needle

Pinhole Artist Collective   |   through the eye of a needle

in ace’s Project Room, April 9 – May 1, 2010
pinhole-3-crop
through the eye of a needle, shows how a group of artists (Marian Butler, Sandra Campbell, Sarah Crawley,  William Eakin, Lori Fontaine, Jacquelyn Hébert, Beth Johnson, Jen Loewen and Natasha Peterson) can be united in the process of exploring their intentions and sharing their experimentations.  Pinhole photography is about capturing light through an opening (a lens) the size of the prick of a needle.  You never quite know what you are going to get, but that is what fascinates, mesmerizes and intrigues us about the images we make.  The mystery of the way the light moves during these long exposures allows us to see the world in a new way and this invites the viewer to explore the spaces between our photographic intent and the results.

PAC (Pinhole Artist Collective) is a collective of artists interested in exploring the artistic medium of pinhole photography. In regular gatherings, the collective engages in both constructive criticism and artistic creation. Growing out of the spirit of World Pinhole Photography Day and a DIY artistic philosophy, they are hands-on, resourceful, and playful.  They use analogue and digital processes and are, from time to time, nomadic with their pinhole practices.

Look out for the Pinhole Artist Collective’s upcoming summer show at PLATFORM: centre for photographic + digital arts…

above image by Jacquelyn Hébert
exchange #1 and was made with a three-hole pinhole camera in 2009
www.jacquelynhebert.ca

Milk and Cookies with Uncle Glennie

fairies

1st of April,  2010  7pm | stories  730pm   830pm|   Free

Uncle Glennie is a seasoned (marjoram and turmeric) reader who has been reading stories aloud since he was a very small boy. He is now getting quite hoarse.
Known for his ability to hold an audience in the palm of his hand (it is very large) Uncle Glennie has sometimes drawn large crowds for his performances. A few of the sturdier individuals involved have even managed to sit all the way through one.
Uncle Glennie has been compared to many famous writers and performers but never favourably.

On the evening of April the First, Uncle Glennie will be reading selections from the Persiflage canon. Samples of this can be found at: www.persiflage.ca .

Nathalie Daoust

Frozen In Time, Switzerland    |    Nathalie Daoust
19th March – 1st May, 2010

Pilatus

Daoust presents a series of hand tinted, black and white images taken with a pinhole camera. Each photograph reveals a pervading sense of introspection, a desire to escape reality by reinventing the truth.

“Since my very first experiments in photography I have been fascinated by human behaviour and its various realities and by the ever-present desire to escape and live in a dream world. The aesthetic of my new project enriches visual exploration at the border between dream and reality, conveying a feeling of escape.” ~Nathalie Daoust

aceartinc.’s turnaround presents… team gh0sty’s Transmission Alpha

gh0sty_turnaround

FRIDAY, MARCH 12 8pm till midnight
here at aceartinc. 2nd flr-290 McDermot Ave.

aceartinc.’s turnaround is a series of events/ performances/ installations that occur between the uninstall and install of regular exhibitions at the gallery. Operating on a fly-by-night ethos, turnaround enables performers to take advantage of a large space to experiment with and test ideas. Preference is given to projects which are innovative, mischievous, passionate and enthusiastic. It is an opportunity for community building between various artists and audiences in Winnipeg.

To launch the aceartinc.turnaround series, Winnipeg media artist mrghosty has created a concept dance party/ mixer/ installation: transmission alpha.

Inspired by flash mobs and pirate broadcast media; mrghosty has assembled local talent and low wattage broadcast technology to bring you a new experience using old technology. Rather than using a traditional party set up of sound system and video projection, all media in the space will be broadcast over FM Radio and UHF television signals.

The Djs will be playing their mixes and broadcasting them live into the space, where guests can listen to them on portable radios and headphones (which are provided :)). Giving the participants the chance to put on their headphones and dance (creating a silent dance party a la flashmob), or to simply remove the headphones and mingle.

Mrghosty will be adding a live video mix broadcast over UHF to scores of vintage televisions of various size, and age installed throughout the gallery. This will also be the events primary source of light, the vintage glow of cathode ray tubes. Keeping with the theme of vintage technology, classic radio and television programs and commercials will be thrown into the mix.

Featuring fantastic local Djs:

THE SHAKE (Lotek and Manalogue)
DJ Cyclist (lebeato)
DJ King Kobra (Live PA set)
DJ Beekeeni (Vav Jungle)
DJ Kasm (balanced records)

live video mix and installation concept: mrghosty.

Admission is $5 and proceeds go to cover team ghosty’s cost of the tech for the event and to raise funds for aceartinc.. 50/50 split.

*portable FM radios with earbud headphones are free with admission.
BUT!!!! feel free to bring your own portable radios! Those old wacky headphone radios or your old walkman :)

So come on out, pop in your headphones, and raise some money for your local artist run center!

http://www.aceart.org
http://www.mrghosty.net

Daniel Barrow book launch and performance

promopicweb

Daniel Barrow

No One Helped Me book launch & performance of Every Time I See Your Picture I Cry

Tuesday 16 February   |   7.30 pm   |   free

Please book in advance to avoid disappointment

204 944 9763   |   gallery@aceart.org


aceartinc. cordially invites you to a free performance of Every Time I see Your Picture I Cry by Daniel Barrow to celebrate the release of his new art book, No One Helped Me, published by aceartinc. with the generous support of the Winnipeg Arts Council’s New Creations Fund. This is a beautifully produced, limited edition, complete with a 7” record (voice by Daniel Barrow, music by Amy Linton; B side by The Ballet) to accompany your page turning. It also contains exclusive essays by Jon Davies and Steven Matijcio.

Awarded the 2008 Images Prize at its premiere, Daniel Barrow’s newest “manual animation” combines overhead projection with video, music, and live narration to tell the story of a garbage man with a vision to create an independent telephone book chronicling the lives of each person in his city. In the late hours of the night, he sifts through garbage, collecting personal information and then traces pictures of each citizen through the windows of their homes as they sleep. What he doesn’t yet realize is that a deranged killer is trailing him, murdering each citizen he includes in his book, thus rendering his cataloging efforts obsolete. The garbageman is a failed artist who fears becoming subject to the grip of something overwhelming. This animation traces his attempts to slow down and creatively reflect, in a process of coming to terms with his own self-loathing and fear.

ISBN: 978-0-9864732-0-3
Edition of 500.

more about the artist and to order book: www.danielbarrow.com

or purchase No One Helped Me at Art Metropole:  http://www.artmetropole.com

RRaCe! Peer Project for Youth (ages 15-24) with ace

aceartinc. & Rainbow Resource Centre- RRaCe Peer Project for Youth (ages 15-24)

Showing of RRaCe – Peer Project for Youth video project
part of The Fantasia Affair “Gender Outlaws” with Kate Bornstein show
Saturday February 27, at the West End Cultural Centre – 586 Ellice Ave.
doors open 7:15pm
show time 8pm.
tix $10.00 – all ages, rush seating
Tickets are available at the Rainbow Resource Centre (170 Scott St.) and the University of Winnipeg Info Booth (515 Portage Ave.).

aceartinc. and the Rainbow Resource Centre are very chuffed to let you know that the films the queer youth made with Peter kingstone as part of our WAC Youth Arts Initiative partnership (RRaCe) will be screened at the West End Cultural Centre as part of the Kate Bornstein event!


This project was made possible by the generous support of the Winnipeg Arts Council and the Winnipeg Foundation through the Youth Arts

aceartinc. is is committed to supporting queer artists and cultural producers and  has therefore partnered with the Rainbow Resource Centre to create a long-term friendship that will bring queer youth to aceartinc. to see and respond to exhibitions, participate in activities, use the Project Room and all our resources and become and remain members.

aceartinc. has been looking to raise its profile with Winnipeg queer youth in order to invest in future audiences and artists and continue to be relevant to the queer community. Working with the 2009/2010 programmed exhibitions will provide a variety of contexts in which queer youth can work with professional artists to place their identities in different cultural, social and political contexts and explore their creativity in an experimental and safe atmosphere. We want to skill them up to create your their culture and to think critically about the culture we are surrounded by.

There will be four workshops with the four exhibiting artists at aceartinc. Each of these workshops will involve art making and discussion. The artworks made during these workshops will be exhibited in a special exhibition which aceartinc. will host in June 2010 as part of Winnipeg Pride.

http://www.rainbowresourcecentre.org/youthprogramming.htm

Sarah Anne Johnson

white out
Dancing with the Doctor
Sarah Anne Johnson

Reception- Friday 5th February 7pm
Runs - 6th February – 5th March 2010
Artist talk – Saturday 6th February , 2pm

Gallery hours - Tuesday-Saturday 12-5pm   |   free

ALL PERFORMANCES ARE FULL
All guests who have reserved seats must be in the gallery before performance times.
We suggest arriving 15mins before performance.
Doors will be locked at times mentioned below.

Local favourite, Sarah Anne Johnson, artist of international acclaim and 2008 Sobey Award nominee to debut new work at aceartinc.
Dancing with The Doctor is a continuation of House on Fire, which examined the medical abuse suffered by Johnson’s grandmother, Val Orlikow, in CIA-funded experiments.
This choreographed installation is a significant departure for Johnson- it includes her first performance work and the results are as extraordinary as they are moving. Few contemporary artists would take this risk in their practice and the vein tingling excitement she has engendered make this is an absolute must-see. Winnipeg has an art coup on its hands.The exhibition features life-sized stage sets based on rooms from the original dollhouse in House on Fire. Contemporary dancers dressed in costumes also designed by Johnson, perform on the sets, embodying the women haunted by a CIA Doctor’s dreadful experiments.

Performance Times are: ALL PERFORMANCES ARE FULL

Saturday, Feb. 6 – 7pm full
Sunday, Feb. 7 – 2pm full
Thursday, Feb.11 – 9pm full
Friday, Feb. 12 – 7pm full
Saturday, Feb. 13 – 7pm full
Saturday, Feb 13 at 9pm
Sunday, Feb. 14 – 2pm full

Didn’t get seats? The next best thing is to hear the artist talk about the work…

Sarah will have her artist talk on Saturday, February 6th at 2pm. All are welcomed!


For more info or to arrange an interview with the artist please contact ace’s programmer, hannah_g : program@aceart.org |  204 944 9763

Background

Johnson’s latest works are an exploration into the medical abuse suffered by patients of Dr Ewen Cameron at Montreal’s Allen Memorial Institute during the 1950’s and 60’s. Johnson’s maternal grandmother, Val Orlikow, was among them. In the 1950’s she sought help for post-partum depression and left the hospital in worse condition then when she went in. It wasn’t until many years later that she discovered she had unknowingly taken part in CIA-funded brainwashing experiments, code-named MK-ULTRA. These experiments included heavy sessions of shock treatment, sensory deprivation and injections of Lysergic Acid Diethlamide.

aceartinc. & the artist gratefully thank the generous support of associate members & donors, our volunteers, the Winnipeg Arts Council, The Manitoba Arts Council, the Canada Council for the Arts, WH and SE Loewen Foundation, The Family of Wendy Wersh, The Sign Source, Kromar Printing Ltd., Design Type, and Half Pints Brewing Co.

 

 

 

 

 

 

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